Untitled (Two Cups), 2017.
Untitled (Two Cups), 2017.

Image from “Letters to M.” by Jason Lipeles.

Photograph by Jason Lipeles.

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Excerpt from "Letters to M."
Excerpt from "Letters to M."

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Excerpt from "Letters to M."
Excerpt from "Letters to M."

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Untitled, 2018.
Untitled, 2018.

Image from “Letters to M.” by Jason Lipeles.

Photograph by Jason Lipeles.

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Untitled (Cherries), 2018.
Untitled (Cherries), 2018.

Image from “Letters to M.” by Jason Lipeles.

Photograph by Jason Lipeles.

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Excerpt from "Letters to M."
Excerpt from "Letters to M."

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Untitled, 2017.
Untitled, 2017.

Image from “Letters to M.” by Jason Lipeles.

Photograph by Jason Lipeles.

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Untitled (Two Cups), 2017.
Excerpt from "Letters to M."
Excerpt from "Letters to M."
Untitled, 2018.
Untitled (Cherries), 2018.
Excerpt from "Letters to M."
Untitled, 2017.
Untitled (Two Cups), 2017.

Image from “Letters to M.” by Jason Lipeles.

Photograph by Jason Lipeles.

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Excerpt from "Letters to M."

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Excerpt from "Letters to M."

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Untitled, 2018.

Image from “Letters to M.” by Jason Lipeles.

Photograph by Jason Lipeles.

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Untitled (Cherries), 2018.

Image from “Letters to M.” by Jason Lipeles.

Photograph by Jason Lipeles.

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Excerpt from "Letters to M."

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

Untitled, 2017.

Image from “Letters to M.” by Jason Lipeles.

Photograph by Jason Lipeles.

“Letters to M.” blends my feelings for a former lover with literary and visual critique in an attempt to close the gap between reader and writer, lover and critic.

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